The Language Edge  



The Language Edge  
Solo Show 
Athr Gallery
Diriyah, Saudi Arabia


Feb 5 - Mar 20 2025






“In the edge where language breaks, art is born.”

The Edge of Language, presents a vision of contemplation between language signifiers and everyday life. Al Salem offers an insight into the gap of meaning that forms between the complexities of human experience and its verbal communication. Walking through two immersive installations, the viewer encounters chaotic forms that slowly revealing the words, unraveling the fluidity and confusion of colliding ideas. For Al Salem, language becomes a metaphor for his struggles with unfulfilled desires and the noise of the world around him.

The title inspired by Wittgenstein’s “The Edge of Words”  lecture.




View of the exhibition
View of the exhibition
View of the exhibition



Morning Pages, 150 X 1100 CM, Metal, 2025 
Morning Pages, 150 X 1100 CM, Metal, 2025
Morning Pages, 150 X 1100 CM, Metal, 2025


I will start cooking at home, 30 X 40CM, Metal, 2025
Building code, 120 X 120 X 120 CM, Metal, 2025
Building code, 120 X 120 X 120 CM, Metal, 2025
SH SH SH SH SH, 180 X 7 CM, Metal, 2025
The guardian,  5 X 5 X 5 CM, Metal, 2025
 would like to buy Skyline, 15 X 15 X 15 CM, Metal, 2025





Lorem Ipsum...
Bism Allah, 150 X 300 CM, Metal, 2025
Call Mam, 150 X 300 CM, Metal, 2025


Pale blue dot, 104 X104 X104 CM, Metal, 2025
Presence, 113 X113 X113 CM, Metal, 2025
pieces, 75 X 75 X 75 CM, Metal, 2025
Just Another Day, 120 X 120 X 0.6 CM, Metal, 2025
PortraitCM, 120 X 120 X 120 CM, Metal, 2025
pieces, 120 X 120 X 120 CM, Metal, 2025


Inspired by Ludwig Wittgenstein’s concept of “The Edge of Words,” Al Salem redefines language as a symbolic tool that navigates the tension between order and chaos, internal noise, and conscious reflection. The exhibition unfolds across four thought-provoking sections, each inviting contemplation of language, human experience, and material form.

In “Through the Noise,” works like I Want to Buy a Skyline, The Guardian, and I’ll Start Cooking at Home, distorted iron words mimic spontaneous diary scribbles. Here, the artist does not strive for perfection or clarity, celebrating the chaos that arises from everyday life. “Portrait” offers a polished façade, akin to traditional portraits depicting idealized subjects. 

Its precise geometry imposes order over chaos, reflecting language as a system of power and control. At the same time, the spherical forms suggest unity and perfection, subtly questioning humanity’s preference for outward appearances over inner complexities.

The monumental “Morning Pages” features an 11-meter spiral of diary-like phrases, such as “It’ll Be Fine” and “Today, I’ll Iron My Clothes.” Beyond personal experience, the piece universally invites viewers to embrace simplicity and find peace amidst chaos.
In the final section, “Shape Prospecting,” metal plates from Morning Pages are reimagined into standalone works. Stripped of words, these pieces meditate on presence and void, continuity and decay, exploring the enduring impact of language as a memory.

Al Salem masterfully bridges cultural heritage with contemporary innovation, exploring words as vessels of thought and emotion. 
The Edge of Language challenges viewers to rethink their connection to language in an ever-changing world. The exhibition 



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